Tuesday, June 18, 2013

Image of the Invisible God: Meditations on Col 1.15-20 #1


For the next few days I will be offering a series of short meditations on the Christ Hymn in Colossians 1. It is my prayer that they be helpful ... 

He is the IMAGE
of the invisible God
the firstborn of all creation (1.15)

Facebook. YouTube. Pinterest. Tumbler. Instagram.  How many followers? How many “likes?” Ours is a culture, more than ever before, that is obsessed with the word “image.”
We all post on at least one of these social media outlets most of us more than one, and some probably all of them. We want people to see that we have an interesting life.  That we have it together. That we have our mojo on. That we have our game together. What we do not do is post bad pictures of ourselves.  We avoid those certain angles.  We untag ourselves in those pix that a friend graciously put online that are funny but uncomplimentary.

The Bible tells us that God is just as concerned about his “image” as we are of ours. The images that so many have of him do not actually come from his own Facebook account. People often tag him in a status or picture that is not him at all.   The false pictures show up repeatedly in the “Old Testament” when people would create images of God.  God calls such false pictures idolatry.  Thus Israel was forbidden making images of the Lord in any fashion or any form.  We did not listen and kept making false pictures of God.

God’s reply to all humanity is this: If you want to know who I am, if you want to know what I look like, if you want to know how I think … here is the “image” of myself so you can know.  That image is Christ. 

He is the IMAGE of the invisible God.  When God took his iPhone or Droid and took a picture of himself and posted it on FB, or istagram, what was uploaded was Jesus. What this means is that what you know about Jesus you also know about God. Jesus, as the Image of God, tells you what God is like.  Pictures of Jesus are “images of God.”

Musings: Recall the IMAGES of Jesus that you know.  Write down those images.  What do those images tell you of God? 
  

PrayerThought


End your time this morning thanking God for the Images of himself that he has given us in Jesus.  Commit to the him that you will spend more time looking at his Facebook, Instagram, Tumbler and Pinterest accounts.  They have the names: Matthew, Mark, Luke, and John.

Friday, May 31, 2013

Psalm 104: For God So Loves the World



The universe is, itself, the offspring of God's love. It was not created simply because he had the wisdom and power to do it. The element of love entered into the intention, characterized the execution, and approved the completion of his labors. – Alexander
Campbell

The Psalter has always been viewed as the Spirit inspired temple of the Bible, a literary “holy of holies.”  For three thousand years, and then some, the Psalms have been at the heart of worship, corporate and private, in Israel, the synagogue, and the church.[1] Entering this literary sanctuary is a full sensory experience for the worshiper. Like all the Hebrew Bible it is laced with the grittiness of life and the grandeur of God.  Stepping into the pages of this holy place we are confronted with the smell of incense, hands raised in boisterous praise from the congregation, and the cry of lament from the suffering. In the Psalms the same Spirit that brought forth life from the mud of the earth inspires holistic worship that embodies the great commandment to love the Lord with our minds, souls, and bodies (Deut 6.4f; Mt 22.34f). Among the truths in God’s literary sanctuary is that humanity’s worship is truly cosmic encompassing all creation. All creation sings praise to the Lord of Creation. This vision is awe-inspiring.
The Psalms pull God’s people into a fuller, truer, vision of reality. Entering into the literary sanctuary to worship through praise and prayer, individually and corporately, the world in which God reigns is invoked.[2] In the Psalms, through worship, God enabled Israel to have eyes to see and ears to hear to embrace a new “construal of the God-world relationship.”[3] Through imbibing the worldview constructed in God-centered worship we are invited to embrace God’s purpose for creation, to embrace the beauty of creation as reflecting his own glory, and to find our own place within creation to lead all in heaven and earth to worship the Creator.
Creation the Realm of God’s Steadfast Love
The world envisioned in worship enables God’s people to interpret the world encountered “outside” in light of God’s claims, purpose, and mission. It re-frames pain and injustice and draws attention to love, beauty, and ultimate justice. If you should ask an Israelite fresh from pilgrimage to the temple “how do you know God loves you?” She would probably respond using the language shaped in worship: “I know he loves me because he created the world and redeemed Israel.”  Lifting her hands to heaven, the Israelite would burst into song,
O give thanks the LORD, for he is good,
for his steadfast love endures forever

What evidence for this radical claim by Israel?
[W]ho alone does great wonders,
for his steadfast love endures forever;
who by understanding made the heavens,
for his steadfast love endures forever;
who spread out the earth on the waters,
for his steadfast love endures forever;
who made the great lights,
for his steadfast love endures forever;
the sun to rule over the day,
for his steadfast love endures forever;
the moon and the stars to rule over the night,
for his steadfast love endures forever …
(Psalm 136. 4-9)

The first act of love by God according to the Bible is not the cross of Jesus, nor even the grace of the Exodus from Egypt.  The first act of love by God toward the world is that he became its Creator.  Inhabiting the sanctuary of worship Israel sees “nature” around her not through the eyes of utilitarianism but the eyes of wonder. Nature is in fact transformed into creation.  The physical universe reflects the warmth and love of the Father of Jesus. 
            Psalm 33 elaborates on the character and work of the Lord of Israel while singing a new song. God is described in vivid attributes
For the word of the LORD is upright,
and all his work is done in faithfulness.
He loves righteousness and justice;
the earth is full of the steadfast love
of the LORD. (33.4-5)

What is this word and work that is faithful, righteous, just and loving? Perhaps we might expect such a word and work to be saving people from sin or delivering the poor. But that is not the word and work in Psalm 33.[4] The word and work of the Lord here is the creation of the universe itself.
By the word of the LORD the heavens were made,
and all their host by the breath of his mouth. (33.6)

The beginning of the steadfast love of the Lord, according to this radical psalm is not an act of deliverance from sin or oppression but the creation of cosmos. Indeed it is an act of “justice.”  No wonder the psalm will declare “the earth is full of the steadfast love of the Lord” (33.5; cf Ps 119.64).
            The Bible claims more than creation displays God’s amazing love.  Rather the Scriptures proclaim that God is like an artist who actively cares for, tends to, protects and actually loves his world.  Psalm 104 reveals the chasm between Marcionism, deism and biblical faith.[5] Not only is the wonder of creation celebrated but the deep involvement of the Creator God with the object of his love. God did not simply create “in the beginning” to see how it all turns out.  Rather, as Jesus said, the Father continues to work in creation (Jn. 5.17).  Psalm 104 is formally linked to 103 with its breathtaking vistas of God’s steadfast love which is said to be higher than the heavens for his people (103.11).[6] This love, manifested in God’s “works” (103.22), ushers us into the magnificent meditation upon God’s continuing shower of love toward all he has made.
            Revealing in the diversity of creation, Psalm 104[7] helps place a check on the arrogant human assumption that the world exists primarily for our use and purposes.[8] Rather this psalm reminds us that God has “other concerns”[9] besides human and places us as one among the many inhabitants of the Earth receiving the gift of life from the Creator. The psalm opens in 1-4 picturing Yahweh clothed in majesty, building his cosmic temple to dwell (cf. Ps 78.69; Isa. 40.22).[10] The psalm moves into a very egalitarian geocentric view of earth which is mentioned seven times (vv 5, 9, 13, 14, 24, 32, 35) centering on rich diversity of life filling it. The psalmist revels in the loving, even tender, care of God for his world. 
You make springs gush forth in the valleys;
they flow between the hills (v.10)

Who is this water for? The “drink is to every wild animal” (v. 11).  Those who benefit from are also the birds who “sing among the branches” and finally the earth itself is “satisfied with the fruit of your work” (v.13).  Humans are not even listed among the beneficiaries of divine hydration. 
            The Lord’s hands on approach to tending his creation means he also feeds the life he has created. Humans finally enter the picture as God has previously satisfied the earth with water he now gives grass for animals to eat and viniculture for humans to have wine.  As water blesses the animals, and wine refreshed humans, so now the “trees of the Lord” are abundantly cared for by the Creator (vv.14-16). 
            The psalmist again confesses the marvelous manner of divine provision for the non-human world. The “trees of the Lord” are not simply for human use.  Rather the trees were created literally for the birds (vv. 16-17).[11]  The majestic mountains are actually “for the wild goats” (v.18).
One of the most startling claims, for moderns, of the inspired poet is that humans are not the only ones who have work hours and punch the clock. In this section (vv 19-23) both animals and humans share the world but are separated by temporal domains. The sun and moon are creation’s clock (Gen 1.14-18). The animals in the forests and on the mountains work for a living under the cover of the darkness while humans seek the same livelihood under the sun. Lions carry on the midnight shift but, like their fellow human creature, they get their earnings from God (v.21; cf. Job 38.39-41).  After binding all creatures together the congregation in worship bursts in awe
O LORD, how manifold are your works!
In wisdom you have made them all;
the earth is full of your creatures.

Humans, lions, birds, goats and trees are all objects of the Creators steadfast love. But some of the most amazing creatures have never been seen by the human eye at all. One creature, called Leviathan, lives in God’s aquarium, the vast sea.  Leviathan was created by God for no other reason than to frolic and play in the deep! It has no purpose but to be alive and be carefree (v.26).[12]
            The psalmist concludes his cosmic panorama with all creation, small and great, non-human and human, brought together as contingent creatures utterly dependent upon the grace of God (vv. 27-30).
These all look to you to give them their food in due season;
when you give to them, they gather it up;
when you open your hand, they are filled with good things.
When you hide your face, they are dismayed;
when you take away their breath they die and return to dust.
When you send for the your Spirit, they are created;
and you renew the face of the ground.

Here is the death nail to deism in the Bible.  God’s hands on approach to creation is described in these verses using the Hebrew imperfect indicating continuous action on the part of deity.[13] It is from a text like this the Hebrew Preacher can say that universe is “sustained” by divine grace (Heb 1.3). Here, as in the initial creation itself (Gen 2.7), it is God’s Spirit who is the giver of all life.[14] When life appears, human, animal or trees, a profound miracle has taken place.[15] No wonder the psalmist was in awe.
            But the last five verses of Psalm 104 show that Israel did not imagine that humans alone would delight in creation.  As the psalmist sees the world bathed in gracious “glory” the Lord himself is called to rejoice, to take pleasure, in his works (v.31).   "May the glory of the LORD endure forever; may the LORD rejoice in his works." The purpose of this call is that God continue to his unbounded “labor of love.”  Genesis has the Creator seeing the goodness of his creation, Psalm 104’s vision is that he actually rejoice when he sees it.[16]  The image of God finding delight in what he has created in this universe is, perhaps, an image we need to ruminate on more frequently. 
Concluding thought
            Psalm 104 is gentle, but firm, check on human arrogance.  Through a misreading of other texts, we sometimes assume that whole world was placed here for us. But Genesis reminds us the world was “good” even when inhabited only by fish, birds and trees before a single human appeared.  God himself is the caretaker in his lush garden and humans are just one of his creatures in this Psalm. Animals, who have the same life as humans, are not simply food for humans.  Indeed both animals and humans get sustenance from the same divine source. Psalm 104 also shows that God made things simply to be beautiful and not just to be useful.  The creation of Leviathan is perhaps a reminder to humans that life is such a gift of grace that we should just “let loose” from time to time. Above all Psalm 104 reveals the truth that creation itself, animate and inanimate, is the object of divine love. If God, like an artist, dotes so tenderly over his works then should not those created in his image reflect that same divine delight, divine love and divine care for creation. As we shall see this is part of what biblical dominion means.


[1] William L. Holladay, The Psalms through Three Thousand Years: Prayerbook of a Cloud of Witnesses (Minneapolis: Fortress Press,  1996); James H. Houston and Bruce K. Waltke, The Psalms as Christian Worship (Grand Rapids: Eerdmans, 2009).
[2] Walter Brueggemann, Israel’s Praise: Doxology Against Idolatry and Ideology, (Philadelphia, Fortress, 1988), 1-28; John Mark Hicks, Johnny Melton & Bobby Valentine, A Gathered People: Revisioning The Assembly as Transforming Encounter (Abilene, TX: Leafwood, 2007), 50-59.
[3] James K. A. Smith, Desiring the Kingdom: Worship, Worldview, and Cultural Formation (Grand Rapids: Baker Academic, 2009), 193.
[4] See John Goldingay Old Testament Theology, vol 2 (Downers Grove, IVP, 200?), ??-??; Patrick D. Miller, Jr, Interpreting the Psalms (Philadelphia: Fortress, 1986), 75-76.
[5] John Goldingay, Old Testament Theology, Vol 2: Israel’s Faith, p. 655.
[6] James Limburg argues for the formal linkage of Psalm 103 and 104 in “Down-To-Earth Theology: Psalm 104 and the Environment,” Currents in Theology and Mission 21 (1994), 341.
[7] Psalm 104 is frequently classified as a wisdom psalm largely borrowed from the Egyptian “Hymn to Aton.”  See Bernard W. Anderson, Out of the Depths: The Psalms Speak for Us Today, Revised and Expanded Edition (Philadelphia: Westminster, 1983), 156f. For our purposes it this claim does not effect our argument because if the psalm is borrowed it has been placed within the canonical faith.  However it is important to note that many critical scholars do not see a genetic connection between Psalm 104 and the Hymn to Aton.  Peter C. Craigie reviews the history of scholarship on the psalm, looks at the Egyptian evidence and produces Ugaritic evidence suggesting the best that can be argued is general agreement in limited verses.  He suggests the original function of the psalm was probably a dedication ceremony for the temple. “The Comparison of Hebrew Poetry: Psalm 104 in the Light of Egyptian and Ugaritic Poetry,” Semitics 4 (1974): 10-21.
[8] Christopher J. H. Wright, The Mission of God: Unlocking the Bible’s Grand Narrative (Downers Grove: IVP, 2006), 399-400.
[9] John Goldingay, Old Testament Theology, Vol 2: Israel’s Faith, p. 681
[10] See the discussion on temples and cosmic geography in John H. Walton, Ancient Near Eastern Thought and the Old Testament: Introducing the Conceptual World of the Hebrew Bible (Grand Rapids: Baker Academic, 2006), 113-134, 165-178 and Othmar Keel, The Symbolism of the Biblical World: Ancient Near Eastern Iconography and the Book of Psalms (New York: Crossroad, 1985), 113-176
[11] William P. Brown, Seeing the Psalms: A Theology of Metaphor (Louisville: WJK, 2002), 160.  See Bernhard W. Anderson, From Creation to New Creation (Eugene, OR: Wipf & Stock ??), 217-219.
[12] James Limburg, “Down-To-Earth Theology: Psalm 104 and the Environment,” Currents in Theology and Mission 21 (1994), 343.
[13] Bernhard W. Anderson, From Creation to New Creation, pp. 116-118.
[14] Wilf Hildebrandt, An Old Testament Theology of the Spirit of God (Peabody, MA: Hendrickson, 1995), 55-56.
[15] John Goldingay, Psalms, Volume 3: Psalms 90-150 (Grand Rapids: Baker Academic, 2008), 194.
[16] William P. Brown, “The Lion, the Wicked, and the Wonder of It All: Palm 104 and the Playful God,” Journal for Preachers 29 (2006): 14-19.

Tuesday, May 14, 2013

God's Christ in Roman Asia: A Review of Richard Oster's Seven Congregations in a Roman Crucible

A person is often identified as a fool for entering waters he or she knows nothing about. That could very well be the case here.  I am not a scholar by any means, much less a scholar on on the book of Revelation, Roman Asia or the various issues surrounding the hermeneutics of that mysterious book. But N. T. Wright is not Bob Dylan either, yet decides to pick a guitar and sing (I do too) so perhaps I can slide by.

Revelation is one of those books, for better or for worse, that has always been on the select list of favorites in the Bobby V "canon within a canon" (Genesis, Exodus, Deuteronomy, Job, Psalms, Song of Songs, Ecclesiastes,  Jeremiah, Hosea, Amos, Jonah, Habakkuk, Tobit, Sirach, Prayer of Manasseh, Matthew, Romans, Ephesians, 1 Peter, Revelation)  I took an undergrad Revelation course with David Underwood back at Heritage Christian University and later one of my first grad courses with Dr. John Harrison (now at Oklahoma Christian University) while I lived in New Orleans. Recently one of my profs, Dr. Richard Oster (multiple courses), published a commentary on Revelation 1-3.  I will follow the basic IDeA (Identify, Describe, Assess) format that professor Carisse Berryhill encouraged us to use back at Harding School of Theology.

Reading Seven Congregations

Seven Congregations in a Roman Crucible: A Commentary on Revelation 1-3 (Wipf and Stock, 2013) is the fruit of Dr. Oster's mature scholarship.  Oster is widely recognized as an authority on Christianity in Asia Minor, Artemis, numismatic windows on the NT, he often corrects scholars not as grounded in the soil of history and, for former students, he is the master of all footnotes.

Seven Congregations covers the "Seven Churches," or the first three chapters, of Revelation in  two
hundred and seventy-six pages covering ten chapters and three appendices. The commentary is supplemented with one hundred "figures" most of which are photographs of illustrative coins, monumental architecture and iconography (more on these below). 

Chapter one, the Introduction, is the longest being forty-eight pages.  Rather than beginning with the ubiquitous discussions of authorship, date, and genre, Oster begins by noting the cultural influence of Revelation on such diverse people as Columbus, Luther and Newton. Further in the Introduction space is devoted to needed corrections of popular misunderstandings of the book (i.e. Antichrist, 1000 yr reign, rapture).  Believing that these concerns are foisted upon John's Revelation rather than mined out it. Oster offers his interpretive methodology that follows in large measure the historical-critical method of coming "within earshot" of John's authorial intent (p.6).  Oster could have quoted Alexander Campbell's seven rules for coming within "understanding distance" of the biblical author.

Oster is open to seeing a canonical (he does not use that word) coherence between the Revelation and the rest of the Story of God.  As I read through Seven Congregations twice, and parts more, it became obvious that Oster believes that the foundational bedrock for understanding John is the deep inkwell of the Hebrew Scriptures preserved in their Greek translation in the LXX. I appreciate his not merely citing illuminating texts but quoting them in full most of the time.   Second is the wider Second Temple literature of Judaism which would include the rest of the LXX not in the Masoretic Hebrew canon (Apocrypha), the Dead Sea Scrolls and some Pseudepigraphal materials. Finally the wider Greco-Roman culture is significant for understanding the text.  Oster is lavish in his quotations and references to all of these sources. This is one of the great strengths of Seven Congregations.

Probably one of the most interesting parts of the Introduction for the contemporary reader unfamiliar with the Roman world is the discussion of what Dr. Oster calls "fictive globalism."  The ancients did not think the world was flat and frequently depicted the earth as a sphere in art and monumental architecture. I believe this imagery is part of Roma's self proclamation and self promotion ... a Roman "Gospel" if you will.  Dr. Oster clearly shows that the language is not necessarily literal in intent thus John when he uses it does not necessarily mean the entire planet  (pp. 27-43 and Appendix C). This lengthy discussion highlights the value of the historical background of the book for understanding and points out  what is often simply ignored in many approaches to the book, even by NT scholars.  (The Romans, btw, did not believe they literally ruled the entire globe, though their ideology proclaims that. Nor did the Romans believe the world was flat. And it will probably surprise a good number of people that the Empire had established sea trade routes with the civilizations of Asia).

Chapter two reveals to us that the Seven Congregations is really about God's Christ in Roman Asia and not simply the churches. While we learn that John is a prophet (he may or may not be the Apostle) in the spirit of the great prophets of the Hebrew Bible, the focus is upon the Christ of God who has a counter claim to Rome and demands exclusive covenant loyalty. There is a two fold thrust of the sword of Jesus.  The message of Revelation is "insider language," that is, it is intended for believers or Christians.  Thus the one side of the sword cuts at the claims of the fake Caesar and his idolatrous claims and the other side functions as a frightening warning to believers who have sought some kind of accommodation with the Roman Gospel. The Jesus revealed in Revelation 1 demands discipleship ... perhaps he was not kidding about taking up a cross and following him (Oster does not make that comparison but I think it fits with his exposition). The audience or hearers of John's Revelation are not new converts as may often be assumed.  Rather some of them may be up to third generation members of the Christian movement. Oster makes the fascinating reference to the "grandparents" of the Laodicean disciples reading Paul's letter to the Colossians (p.185).  Perhaps this helps explain why Jesus does not talk to these believers as if they are mere babes in the faith.

Perhaps one of the most important interpretive contributions Oster makes here is the emphasis on the Christophany, or appearing of Jesus, in 1.12-18 (pp. 72-89).  A basic suggestion (the rule of context) of reading the book from front to back, beginning to end, means that the Churches in chapters 2-3 hear, and see, THAT Jesus speaking to them not the slain Lamb who is not introduced until chapter 5.  This picture of Jesus is woven into all of the Letters except Laodicea, the last, and most condemned, congregation (pp.184-185). The Jesus knocking at the door waiting to have a gracious fellowship dinner (Rev 3.20) is the frightening Christ of God that made John fall down as if he was dead! Maybe that is why they did not open the door. 

Perhaps John begins with this frightening, even militaristic, picture of Jesus to the Seven Congregations because judgment begins with the household of God and not the world. And that is what Jesus does with these congregations he demands that they repent from selling out to the Roman Gospel.

Another especially enlightening feature of Seven Congregations is Oster's discussion of the "synagogue of Satan" and "Jews who are not Jews."  His exposition, solidly rooted in the earthiness of the late first century and not contemporary political sensitivities, brings to light the complex matrix of Jewish opposition to the nascent Jesus movement and its collusion with pagan power structures of the time. He likewise shows how this language is hardly anti-semitic within its historical setting showing that the question of who was a "real" Jew was a burning question for Jews of all strips after the Fall of Jerusalem and  perhaps even dating from the crises of the Maccabees (see pp. 118-125 and pops up in other places as well).  For more on Jewish "bashing" of Jesus and Christians see the recent study by Peter Schafer, Jesus in the Talmud (Princeton University Press, 2009). John's criticism of the "synagogue of Satan" and "those who claim to be Jews but are not"almost certainly implies that he sees himself and the followers of Jesus as the true synagogue and therefore are the true Jews (the word "Christian" never occurs in Revelation).  Far from being anti-Jewish he is, in his mind (it seems to me), pro-Jewish.  The warfare between ethnic Jews and emerging Rabbinic Judaism and the Jesus Movement that was (again in my view) akin to the Hatfields and McCoys ... so deadly precisely because of the family ties. The scars of this battle probably shape Christianity, as we know it, as much as anything in the "New Testament" itself.  Oskar Skarsaune traces both the inter-change and the conflict that shaped Christianity in his rich work, In the Shadow of the Temple: Jewish Influences on Early Christianity pp 209-276. This whole book should be required reading for every serious Bible student and editor(s) of the Gospel Advocate ;-)).

A unique feature of Seven Congregations, at least among the commentaries known to me, is the wealth of photographs and illustrations from the largely unknown wider Greco-Roman world. I love this feature.  It reminds me of Othmar Keel's groundbreaking work The Symbolism of the Biblical World: Ancient Near Eastern Iconography and the Book of Psalms.  This book has not left my desk in probably ten years. The "material culture" of Rome opens up powerful windows of understanding into John's world and early Christianity (see the use of Pompeii as a historical laboratory for hearing Romans as a mid-first century Roman in Peter Oaks Reading Romans in Pompeii: Paul's Letter at Ground Level.  Here Oaks reconstructs the people who likely read the epistle from information known from Pompeii). From these kinds of remains we learn that divine rulers (like the fake Caesar) were often presented with rays of light emanating from around their head or body (John's uses this to communicate a direct challenge to Roma). Or that the number seven was regarded as divine by nearly everyone. And that temples just might have pillars in the shape of human beings. Likewise material remains document the influence of Judaism in Roman Asia to the extent that even some coins were minted with Noah and his wife on them.  Some of the illustrations present information that has never been presented to students of Revelation before and are thus of even more value (Figure 97 for example).

The illustrations are unevenly distributed through Seven Congregations.  The Introduction and chapters 4 & 5 are the most lavishly graced.  Chapters 7-10 have far fewer basically one or two each.  The photographs, most of which are taken by Dr. Oster himself during his travels to the sites, are reproduced well.  The details we need to see are clearly visible (sometimes not the case in books reproducing photos).  All the photographs are in black and white in the Commentary, however, Dr. Oster is making them available in color at this location: Color Photos for Seven Congregations. See this link as well: Color Photos for Seven Congregations in Roman Crucible.

Seven Congregations pulls the reader into hearing Jesus' call for discipleship.  Some of these calls are quite challenging for the contemporary American church. The Prophet John, after all, was not interested in producing a work of scholarship but in conveying the message of the "one I saw like a Son of Man" to God's people caught in a dangerous crucible. Assimilation is a constant threat and ever a challenge for American Christianity just as it was in Rome.  In many ways the USA is just as idolatrous as Rome and every bit as enticing to those who live in her and off of her.  It is not referred to as the American Empire for nothing. The Jesus of Revelation is not simply counter cultural  when it comes to Roman culture but he is as radically as counter cultural when it comes to present Evangelical church culture. Thus we read in Oster,

"From first to last the Christ of Revelation is an ecclesiastical Jesus, a Jesus for the congregations of God ... the Jesus Christ that John knows and proclaims is one for the collective people of God, the congregations of Roman Asia ... Christianity outside the 10/40 Window would do well to abandon some of its individualism, perhaps repent, and confess that Jesus is not a parachurch Messiah" (p. 89).

Other than the fact that some readers will not know what the 10/40 Window refers too, this flies in face of so much that passes for "Christianity" in North America. (The 10/40 Window refers to North Africa through the Middle East and across Asia or between 10 and 40 degrees north of the Equator. Luis Bush coined the term in 1990).

God's Christ in Roman Asia does not like "cultural Christians."  One can not be a "Christian" in the privacy of one's own home but not in the marketplace.  Those who have thus made their peace with Roma are commanded, even demanded, to repent or else (p. 142f).

Finally Oster deals with the issue of crises for John in Appendix A.  Though Leonard Thompson comes in for censure the criticism could be leveled at a number of recent scholars like Adela Yarbro Collins, Crisis & Catharsis: The Power of the Apocalypse (my intro to that line of thinking). The claim is that John's crises was not rooted in reality for there was no official or sustained Roman persecution of Christians. But Oster demonstrates this is a simplistic reading of the evidence.  While there really was no Empire sanctioned pogrom one is grossly naive to think that no suffering occurred. This is a needed corrective (pp. 199-204).

Reflections and Assessment

I have often called Revelation the Bible's Disney's Fantasia on steroids. My view was strengthened years ago after I read the small, but enlightening, book by James Charlesworth called How Barisat Bellowed: Folklore, Humor, and Iconography in the Jewish Apocalypses and the Apocalypse of John (Bibal 1998).  Reading Revelation is a full sensory experience and it was intended (I believe) to be so. Oster notes that Revelation "strongly appeals to the senses" (p. 76).  Thus I would have liked to see some extended discussion, perhaps an appendix, on how the intention of the author to have his message heard (not simply read silently in our minds) and experienced in the context of corporate worship affects the use of symbolism. Is it possible that not every detail of a symbol has a specific meaning but contributes to the "experience" of the vision? Fantasia shows the modern American the emotive power of symbols even without the need of any explanation of them. Do the symbols make fun of (Charlesworth's humor) of Roman power and thus defang the potency of Roman imperial propaganda? How does that oral environment impact meaning (see Paul Achtemeier's "OMNE VERBUM SONAT: The  New Testament and the Oral Environment of Late Western Antiquity" JBL 109/1 [1990] 3-27).

Dr. Oster has a very helpful overview of the Seven Letters (pp. 90-93). Here we note recurring elements in the letters and interconnections with the end of the book itself. While he confesses "This commentary assumes a holistic approach to the entire Revelation of John and to the seven letters and their integration with the remainder of the book" (p. 93). To this I am in one accord.  What remains unclear to me, however, is how the letters, and their themes, are in fact integrated into the rest of the book except the final two chapters.  I have in the past simply argued that the "apocalypse" of John does not really start until John is carried in the Spirit to the door of heaven (4.1-2) without necessarily grasping just how these parts of the book are interrelated. Perhaps in volume 2 Dr. Oster plans to provide a structural outline that helps in seeing the flow of the Revelation and the intertextuality of chapters 1-3 and 4-22.

Dr. Oster references two important artifacts from the wider culture, the bilingual inscription at the Temple of (Roma) Augusta in Ankyra Turkey and the Oracle of the Potter.  You can't have everything want the Rolling Stones sang, but it might be helpful to readers to have some insight into the content of the Res Gestae Divi Augusti.As I see it, this large inscription is the essential Gospel of Roma.  It is the public persona that Rome wanted the world to believe about itself. Rome is the very image of Virtue, Clemency, Justice, and Piety.  The text reads


When in the consulship of Tiberius Nero and P. Quintilius I returned to Rome from Spain and Gaul after settling the affairs of those provinces with success, the senate, to commemorate my return, ordered an altar to Pax Augusta to be consecrated in the Campus Martius, at which it decreed that the magistrates, priests, and Vestal Virgins should celebrate an anniversary sacrifice.
 
Whereas our ancestors have willed that the gateway of Janus Quininus should be shut, whenever victorious peace is secured by sea and by land throughout the empire of the Roman people, and whereas before my birth twice only in all is it on record that the gateway has been shut, three times under my principate has the Senate decreed that it should be shut.
 
After my victory I replaced in the temples of all the communities of the province of Asia the ornaments which my adversary [i.e. Mark Antony] in the war had, after despoiling the temples, taken into his own possession.

The whole of Italy of its own free will took the oath of fidelity to me, and demanded me as its leader in the war of which Actium was the crowning victory. An oath was also taken to the same effect by the provinces of Gaul, Spain, Africa, Sicily, and Sardinia.



I extended the frontiers of all the provinces of the Roman people, which had as neighbors races not obedient to our empire. I restored peace to all the provinces of Gaul and Spain and to Germany, to all that region washed by the Ocean from Gades to the mouth of the Elbe.
 
Peace too I caused to be established in the Alps from the region nearest to the Hadriatic as far as the Tuscan sea, while no tribe was wantonly attacked by war.”




In my sixth and seventh consulships, after I had extinguished the civil wars, having been put in supreme possession of the whole empire by the universal consent of all, I transferred the republic from my own power into the free control of the Senate and Roman people.” 
 

For the which service I received the appellation of Augustus by decree of the Senate, and the door-posts of my house were publicly decked with laurel leaves; the civic crown was fixed up above my gate, and a golden shield set up in the Julian senate-house, which, as its inscription testifies, was granted to me by the Senate and Roman people to commemorate my virtue, clemency, justice, and piety.” 
The Roman Gospel ... Virtue, Clemency, Justice, and Piety.  Roma did not have a self image problem.  Now contrast that with Revelation 17's "unveiling" of the true Rome.  Here is a direct challenge to the Roman Gospel from the Christian Gospel.

I have some lingering questions that may be helpfully answered in the next volume of Dr. Oster's commentary.  I agree that the Christophany is the controlling image of Jesus for the churches.  I also agree that this image is one that might even justly called frightening  (it did John). But this frightening Jesus tells John "do not be afraid" (1.17).  Some how the awe inspiring (indeed frightening) Christophany (like the theophanies in the Hebrew Scriptures, cf. Hab 3) are intertwined with the assurance that Jesus is still on our side.  Perhaps in a future volume Dr Oster can add some material on this point.  Related to this is the emphasis on Royal-Davidic Christology and its relation to the Lamb Christology.  What is it? There is, in my view, no doubt that the Lamb is very much woven into the structure of the Rev 5-22.  How can we affirm both? How are they interrelated? Does one interpret the other? The next volume will likely address this issue.
One last Reflection, and none of these are real criticisms but more like my wishes, has a missional thrust.  Much of the book of Revelation is anti-assimilationist and Dr. Oster brings this out forcefully at times. What might resisting the intoxicating culture look like today? John himself uses cultural idioms to convey his message of resisting the culture.  Is resistance limited to morality and meat sacrificed to idols? Probably not.  Is resistance based upon the pagan nature of the culture? Daniel is a very anti-assimilationist document as well yet the hero and his compatriots "seek the welfare of the city" to use Jeremiah's words.  So I would have really profited from a mini-theology of cultural resistance from Revelation (another Appendix!!). We are culturally enmeshed and sometimes it may be difficult for American Christians to know when their Americanism ends and their Christianity begins and sometimes we baptize the former and forget the latter.  So some guidance from a genuine NT scholar could prove helpful.  Books like Richard Horsley's Jesus and Empire: The Kingdom of God and the New World Disorder offer some challenging guidance but Horsley does not interact with Revelation even once.

Seven Congregations in a Roman Crucible should be required reading for anyone studying that book and even late first century Christianity in general.  You will have a much firmer grasp on the realities of early Christianity and its struggles and thus also on our own. Dr. Oster succeeds in bringing us within "understanding distance" of John's audible vision.
 
Well I think I have probably worn out my welcome so I will bring these Stoned-Campbell musings to an end. Tolle Lege & Shalom. 


Sunday, March 03, 2013

Stories of Grace, Stories of Forgiveness: Frederick Douglass Affirms the Humanity of a Slaveholder

Frederick Douglass is one of the greatest Americans to have ever lived. Far greater than Malcolm X. Greater still than Martin Luther King Jr. His name should roll off our tongues with the ease of George Washington, Ben Franklin and Thomas Jefferson. Perhaps even faster than the latter two. I place him in that elite category of Founding Fathers: George Washington, Abraham Lincoln and Frederick Douglass. They go together like Moses, Aaron and Miriam.

Douglass' story is sadly not one that is told as frequently and deeply as it should. We have much to learn from this man among men. He wrote his story three times in Narrative of the Life of Frederick Douglass, An American Slave; My Bondage and My Freedom; and Life and Times of Frederick Douglass. In 1991 William S. McFeely published an extensive Pulitzer winning biography titled simply Frederick Douglass.

Colonel Lloyd

Born in about 1818 (Douglass was not sure the exact date) to a slave who had been used for the lustful gratification of the the "master" of the plantation. This was not exactly an unusual thing to occur in slavery. Douglass would eventually become the slave of Colonel Edward Lloyd who owned three to four hundred slaves in Maryland. He would be sent off to Lloyd's son in law, Thomas Auld from whom he escaped in 1838.

Sixty-three years after his escape from human bondage on an early June morning in 1881 the world had changed greatly.  The slavery Douglass knew as a young man was gone.  The nation had been bloodied by Civil War. Douglas was known internationally and was a powerful moral force in the United States. On that morning the former fugitive slave, now Marshall of Washington D.C, was aboard a cutter heading up the Wye River off Chesapeake Bay. His mind could not have but recalled the landscape he had written about in his 1845 Narrative. Suddenly Douglass caught "the stately chimneys of the grand old mansion." The mansion of none other than Colonel Lloyd. Writing in his 1893 Life and Times, "I had left there a slave and returned a freeman; I had left there unknown to the outside world, and returned well known."

How would the family of Colonel Lloyd receive Douglass? How would Douglass act toward this family who had grow rich off the oppressed? How can the slave and the former oppressors come together? Is it possible for redemption to take place? Is it possible for reconciliation to be a reality in the face of the the grossest evil? The greatness of Douglass tells us that yes it can be done. Those committed to God's good news for his fractured creation can indeed voice the blessed word, yes! it is possible! That is our word to the world bleeding from self-inflicted wounds. 

Howard Lloyd, the great grandson of the colonel, greeted the elderly Douglass with as "hearty a welcome as we could have wished." Saying his father was away on business, Howard offered to escort Frederick Douglass around the palatial grounds. Testifying to the powerful memories that flooded his mind he writes, "I found the buildings, which gave it the appearance of a village, nearly all standing, and I was astonished to find that I had carried their appearance so accurately in my mind for so many years."

In a detail that is possibly overlooked but fraught with meaning for Douglass he saw the old room off the kitchen where he had slept in a bag. Only the dirt floor had disappeared under wooden planks. This room was Douglass' introduction to the barbarity of slavery. From that room he had witnessed "Aunt Esther" with "wrists firmly tied" above her head. The top of her body stripped bare as she was whipped by Colonel Lloyd till she bled profusely on the ground below. He cries of mercy indelibly etched into his young mind for eternity. Of it, Douglass wrote in his Narrative "I shall never forget it whilist I remember anything." But now Douglass was standing in that same room of bitter memories with Howard Lloyd.

Howard took Douglass next to the family cemetery. As they enter the grounds Howard offers Frederick a "bouquet of flowers and evergreens from different graves around us."  Douglass is so moved by the gesture that he would bring it back to his home in Washington and preserve them as a testimony that grace can exist even in the most horrid of places. What memories and thoughts passed through the old orator's mind as he stood over the grave of his former tormentor we do not know. But in that moment he forgave both him and his family.

After the walk through the garden of tombstones Lloyd took Frederick into the mansion itself and onto the verandah. Here the former slave whose flesh bore testimony to the whip was now at ease in the old master's chair and receiving the greatest of courtesy from the family that he had excoriated as examples of the horrid evil of slavery.  And they where! Yet forgiveness was able to allow the victim and victimizer to fellowship in shalom as a testimony of the possibilities of God's vision.

What does forgiveness look like? Douglass narrates for us a beautiful picture of what true and costly reconciliation looks like.  Forgiveness looks like Douglass and Howard standing over the grave of the Colonel and recognizing in one another a genuine fragility of humanity. No more and no less.

Captain Auld

Frederick Douglass relates another tale of forgiveness in his Life and Times.  Sadly, McFreely's excellent biography barely touches on either of these powerful episodes. The example of Douglass makes no sense in a secularist worldview.  Douglass was adamant that the USA could not afford to forget the horror of slavery.  To do so would invite the resurrection of tyranny.  He was a prophet because tyranny was revived because the horror of slavery minimized (as in Gone with the Wind a pure apologetic for the Old South). Even today most Americans simply do not realize that the legacy of slavery is around us each and every day.

However, Douglass was for forgiveness. He showed us, white and black, how we can still embrace the humanity of those around us. Douglass tells us that he received an invitation from old Captain Auld (Lloyd's son-in-law and a former master) who was now dying and confined to bed. The fiery orator was stunned by the invitation.

"To me, Captain Auld had sustained the relation of master - a relation which I held in extremest abhorence ... He had struck down my personality, had subjected me to his will, had me property of my body and soul ... I, on my part, had traveled through the length and breadth of this country and of England holding up this conduct of his ... to the reprobation of all men who would hear my words."

He could have easily refused to go. Most of us probably would have been among those who counseled against it. But Douglass agreed to visit Captain Auld. But why? "He was to me no longer a slaveholder either in fact or in spirit, and I regarded him as I did myself, a victim of the circumstances of birth, education, law, and custom" (my emphasis).

When Douglass entered the elderly man's room they "addressed each other simultaneously, he calling me 'Marshal Douglass' and I, as I had always called him, 'Captain Auld.'"  Just as he had been moved by Howard's symbolic gift of flowers - a gesture of letting old hate die - so now Douglass is moved to the core of his being that his old master called him "Marshal."  The greatness of this apostle of liberty is on display as he responded to Auld in pure grace. "Hearing myself called by him 'Marshall Douglass,' I instantly broke up the formal nature of the meeting by saying, 'not Marshal, but Frederick to you as formerly."

Anyone who has eyes to see and ears to hear recognizes immediately the risk Douglass is taking here. Risk to his own personhood. He risks his personal dignity.  He invites his former master to address him in familiar terms, terms closely tied to his former identity. So dangerously close to - boy! He is taking a political risk here with his black constituency.  But the former slave was more concerned in modeling the way forward to an America that was paralyzed by bigotry.  He allowed himself to be vulnerable even to Captain Auld because he saw that Auld was the victim of prejudice himself. Douglass gave him forgiveness. His forgiveness allowed him to see a person rather than simply a slaveholder.

As the visit came to a close Douglass relates,

"We shook hands cordially and he, having been long stricken with palsy, shed tears as men thus deeply afflicted will do when excited by any deep emotion. The sight of him ... his tremulous hands constantly in motion, and all the circumstances of his condition affected me deeply, and for a time chocked my voice and made me speechless."

The greatest orator in American history is speechless!

The scene is incredibly powerful. I believe that the former slave rendered mute by the trembling tears of his former master is intended to move us in the same way. Douglass in no way forgot slavery. He in no way forgot evil. He forgave a man who committed evil. His gift of the grace of forgiveness affirmed the humanity of even Auld. This kind of behavior does not make sense in our world but Douglass knew that such behavior was the only hope for the future.The spirit of forgiveness is the Spirit of Life.

Forgiveness, Gift of Grace

How I wish we knew more about such giants as Frederick Douglass. He has words to say to America about race relations today.  He has words to say to the rich and the poor. He has words to say to anyone who has been wronged, seriously wronged, by another human being.  We can learn what genuine "righteous indignation" looks like in his immortal "What to the American Slave is Fourth of July?" We can learn from him the passion of simply wanting to have an education.  What a lesson that is for today's abysmally apathetic moms, dads and kids on education. We can learn from him the danger of collective amnesia. But we can also learn from him that even the grossest offenders and the weakest of victims can in fact forgive one another.  Justice is not simply about evening the score (ohhh that is what the world believes justice is). Justice bears fruit in shalom and reconciliation. This is a message that even Christians need to hear. Perhaps Christians most of all!

The stories of grace and forgiveness that Frederick Douglass models exhibit three biblical truths regarding the notion of forgiveness as it is put into practice.

1) Douglass rediscovered the humanity of the person who hurt him. As we practice the Spiritual gift of forgiveness we likewise must discover or rediscover the fallen, defaced and even broken humanity in the person who has wronged us. This is often a difficult and painful process because our own fallenness will want to defend our reasons for denying the essential humanity of the person who has grossly wronged us.  This is why the picture of Douglass over the grave of Colonel Lloyd is so gripping.

2) Douglass surrendered his right to get even with the tyrants. This is fundamental to biblical forgiveness. Douglass did not deny the pain, the suffering, nor the barbarism of slavery.  That is in fact the very evil needing to be forgiven. No, forgiveness affirms the bitter reality that the wrong has in fact been committed. Rather in forgiveness we choose, in light of rediscovering his or her humanity and the greater light of the cross of Jesus Christ, to give up the right of revenge. Douglass could have easily exacted retribution upon Captain Auld but instead became his equal. I am as speechless as Douglass was himself.

3) Douglass decided, this was a conscious decision, to revise his feelings toward the persons who had gravely wronged him. His feelings regarding slavery and bigotry did not change one iota nor should they.  What he changed was his feelings toward human beings.  Colonel Lloyd was a victim of a prejudiced upbringing and society.  Auld was a tragic figure himself. Frederick Douglass in light of the grace of forgiveness changed his feelings toward them.

Maybe the United States should put Frederick Douglass on the ten dollar bill rather than Alexander Hamilton. He deserves it far more. His is a great story.  Near the end of his life, one of the images he wanted us not to forget, was that even slaveholders and former slaves could come to see in one another the image of God and extend the most profound of blessings upon one another - the gift of forgiveness. At no time is a human being more like God than when they give the gift of forgiveness.

Who does not need forgiveness.

"Let he who is without sin cast the first stone" - Jesus of Nazareth

Thursday, February 28, 2013

Nothing but Faddish Songs! A Musical Meditation

He had not been brought up in a church-going family. In fact, his life prior to conversion had been, using his own words, that of a "profligate and libertine." Indeed he was one of the most despicable kinds of folk on the planet - a slave trader! Yet he was found by God even in that blackness. He was forever grateful to the Messiah for his grace. He had a lot of growing to do in the Lord.  Some of his old evils were shed more slowly than others.  And he, like us, made excuses but change he did.

He became a non-conventional proclaimer of the Word of Christ. Because of his background he was inclined to minister to those looked down upon by proper church folk. Part of the power of he developed in preaching was directly traceable to the fact that he courageously broke with with preaching conventions of the day and spoke freely of God's power in his own life.

You know him through the rich spiritual treasure he has left western Christianity. What you probably do not know is that his music was as cutting edge, and contemporary, as was his preaching style. Against the formal 'high church' tradition of the Church of England he put the good news in simple everyday language.  He sang that message to what were considered "pop tunes" that people would sing in the local bar with intoxicated friends.

While preachers like George Whitefield left the Anglicans, John Newton stayed.  For that, he endured frequent harsh criticism from traditionalists for his preaching and musical innovations. He was the subject of denunciations for tampering with sacred worship practices and traditions and promoting irreverent worship styles.

You no doubt remember many of his irreverent tunes.  Today, ironically, they are no longer thought of as faddish or unfit for congregational worship as they were in his day.  Now they are considered the classical style for hymnody, the kind that many traditional church members find comfort in. He no longer offends as he did 250 years ago.

Newton gave us such cutting edge, and irreverent, hymns as "Glorious Things of Thee Are Spoken" and "How Sweet the Name of Jesus Sounds." Perhaps the most well known song in history comes from his pen and was considered unfit for worship in his day: "Amazing Grace!"

Sometimes we wonder if the people of God, the church, have learned anything from its history.  How different Newton may have been viewed in his own day if his contemporary critics could see into the future.  We often resist the blessings that God sends even when they show up with ribbons!  We live in a time when beautiful and moving music is being written afresh in honor of the the Triune God.  Sometimes these very writers are accused, like Newton, of tampering with our worship traditions.  But perhaps God does not simply want to hear the same Top 40 year after year.  He wants to see the creativity of his people thus he blesses us with artists who give us new songs ...

"Sing God a brand new song!
Earth and everyone in it, sing!
Sing to God - worship God! ...
(Psalm 96.1, The Message)